A Maker At Heart

From a young age, I’ve always been fascinated by creating art and tools with my hands. Some of my earliest memories involve exploring the woods, carving saplings into primitive spears, and trying to catch my own food in the wild. There’s even a family story about the time I was six years old, standing on a beach with my uncle, crafting a driftwood spear tipped with a mussel shell—only to charge full steam toward a massive sea lion, screaming like a barbarian.

Once my “survival needs” were met, my creative instincts evolved into making art. I remember spending childhood summer down by the river- harvesting clay to make rough ceramic pots. Those moments of pure focus—whether carving spears or sculpting clay—sparked a lifelong passion for creating.

Two early influences shaped my creative journey: Les Stroud, the survivalist-filmmaker behind Survivorman, and Leonardo da Vinci, the ultimate engineer-artist. Les inspired my love for crafting simple tools and telling stories through exploration. Da Vinci introduced me to the beauty of invention and the art of design. I’ll never forget trying to recreate Icarus’s wax wings at the age of ten—complete with a wooden bat-wing skeleton and heat-shrink wrap—with full plans to test them from our roof (an idea my mother unfortunately vetoed).

That same blend of curiosity and precision has guided my path ever since. At thirteen, I built my first forge in the backyard by filling a hole with charcoal and using my mom’s hairdryer as a blower. I was able to reach temperatures hot enough to make steel glow white. This experiment was a huge triumph that came at the small cost of setting my porch on fire.

In search of a strong, technical foundation, I earned my Bachelor of Science in Design Engineering from the Colorado School of Mines. Today, I live in Milwaukie, Oregon, with my dog, Juni—working full-time as a sculptor, engineer, and unapologetic maker.

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Creating Makes Us Human

Alignment With Nature

At a fundamental level, our humanity comes from our ability to make and use tools. God’s hand guided the evolution of man into a complex creature who is paradoxically distinct and yet reliant on nature. Today, we are more disconnected from our roots than ever and the natural balance has been disturbed. There exists a stark disconnect in our food, possessions and lifestyles. To me, living in alignment with nature means taking a step back to be more intentional about creation and consumption. As I grow my own food, spear wild fish and craft the attributes of my life, I feel in balance with nature and more connected to God.

I've always been drawn to the raw, chaotic beauty of nature—its ruggedness and impermanence. I’m fascinated by the way timber crack and splits, how oxygen eats iron to rust, how elemental forces turn even the largest of boulders to dust. This steady and imminent transformation mirrors our own impermanence, reminding us that beauty, creation and death is both ephemeral and inescapable—and that’s what makes it meaningful.

Creative Identity

My work takes two distinct forms. One is the creation of tools. That is, sacred objects designed beautifully around a function and a user. Tools have a soul and develop a personality with time and use. For example, my trusty hatchet has become something of a friend that I rely on often while on adventures. The other side of my work is in infancy and is just beginning to emerge. This side is purely art with its primary function being introspection and honest expression. My hope is to personify my experiences in sculpture, in a way that is vulnerable and relatable.

My work is rooted in proportion, geometry, and intention. Every line, curve, and angle must have purpose. I strive to reach that moment when there’s nothing left to take away—when a piece feels complete in its simplicity and balance. I believe that each artwork has a soul—something that’s born through the process. I try to create from a place of love, reverence, and joy, allowing each piece to take shape in its own way and in its own time.

I consider the creative process to be sacred. I believe it to be the most fundamental offering we can give to our creator — the uttermost form of worship. Art is an offering to God.

“He has filled him with the Spirit of God, in wisdom and understanding, in knowledge and all manner of workmanship, to design artistic works, to work in gold and silver and bronze, in cutting jewels for setting, in carving wood, and to work in all manner of artistic workmanship.”

Exodus 35:31-33 NKJV